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Tagged: War

Photo showing a lecture hall with rows of metal desks and benches heavily damaged, debris and broken wood scattered across the floor, and sunlight entering through windows on the left.

Pedagogy Under Fire: Teaching Archaeology with WhatsApp during Sudan’s Civil War

By Ahmed Adam.
This paper examines the educational experience in Sudan from 2023 until the present. In 2023, with the outbreak of the civil war, the Sudanese universities completely ceased operations. In this text, Adam explores the innovative ways Sudanese educators and students continue university education during times of war and what this means for education, community and contribution of knowledge and innovation from the Global South.

Collage of Photographs, including the Ukrainian Flag with a dove symbol.

Fragmented Lives in Times of War – An Introduction

By Lidia Kuzemska. What are the challenges faced by forced migrants within and from Ukraine due to the Russian invasion? Ukrainians feel, live with, and live through uncertainties, whether emotionally, intellectually, or bodily. The new edited collection sheds light on the lives of displaced persons, which are divided, in terms of time, space, and social context, into a “before” and “after” the war. It analyses the uncertainties faced by war migrants and those who have decided to remain in Ukraine, as well as how people cope with these uncertainties in their daily lives.

Towards a Global History of War, Disability and Gender

By Natalie Tongue. Only in recent years has the history of disability become a focus of global history. This essay seeks to examine the connection between disability and masculinity, particularly in relation to histories of war. This will be achieved through a review of a series of books, articles and edited collections to piece together a full picture of the trends in this intersection of the respective fields and to understand where a global history approach would enhance disability histories. A global history approach would highlight the diverse and complex ways in which disability and masculinity interact in contexts of war. Further, as war, conflict and colonialism are inseparable, racialised understandings of how masculinity differed across colonial epicentres and peripheries would be undeniable. This is essential for a meaningful and committed undertaking of the field.

التراث الثقافي السوداني بين مخاطر الحرب والغياب المؤسسي الفاعل

By Ahmad Adam. This text is a summary of a paper presented by the author on November 9, 2024 at the 27th Arab Archaeologists Union Conference in Cairo. It examines the impact of war and political instability on Sudan’s cultural heritage. Sudan, a country with a rich and diverse historical legacy, has faced repeated conflicts that have endangered its archaeological sites, museums, and intangible heritage. His text assesses the current situation in war-torn Sudan, highlighting the destruction, looting, and neglect of key heritage institutions, including the National Museum of Sudan, the Ethnographic Museum, the Khalifa House Museum, and regional archaeological sites. It also addresses the absence of effective institutional protection and the challenges posed by the 2023–armed conflict. Additionally, he explores ongoing efforts to safeguard Sudanese heritage, emphasizing the role of local and international collaborations, digital documentation, and community-driven initiatives. It calls for urgent action to document, preserve, and protect Sudan’s cultural assets amid the ongoing crisis.

War, Migration, Memory: Perspectives on Russia’s War Against Ukraine – An Introduction

How does war reshape collective memory, migration, and identity? Read a preview of Viktoriya Sereda and Andrii Portnov’s introduction to the recently published anthology “War, Migration, Memory: Perspectives on Russia’s War Against Ukraine” exploring the ongoing impact of Russia’s aggression against Ukraine. It delves into questions of belonging, historical memory, and societal transformation through essays written by Ukrainian scholars amid war and displacement.

War, Displacement and the Shifting Meaning of ‘Donbas’: Initial Findings from the Field

By Qianrui Hu. Although Russia’s full-scale invasion of Ukraine shocked the whole world, Russia’s war against Ukraine started already in 2014 with the illegal annexation of Crimea and the military interventions in the Donetsk and Luhansk regions in Eastern Ukraine. This blog post tries to unpack the dialectical relationship between war, migration, and memory, the central research theme at Prisma Ukraїna, from the perspective of the people who have been experiencing this war since 2014.

Domicide: Architecture, War, and the Destruction of Home in Syria

In this article, Ammar Azzouz introduces his recently published book “Domicide: Architecture, War and the Destruction of Home in Syria”. The deliberate destruction of peoples’ material, built and social environments have become to be known as domicide. Domicide is the deliberate killing of home. Focussing on the Syrian city of Homs, the author brings the mass destruction of cities during wars closer to the suffering of the people.

“War and war-induced displacement create ruptures in people’s sense-making narratives that are at the core of their identities and understanding of the past.” – 5in10 with Viktoria Sereda

Viktoria Sereda is a sociologist, head coordinator of the Virtual Ukraine Institute for Advanced Study (VUIAS) and academic senior advisor to the project “Prisma Ukraïna: War, Migration and Memory”. She has been a member of the Prisma Ukraïna War, Migration, Memory research group since 2022. Her latest publications include Displacement in War-Torn Ukraine (2023, Cambridge University Press).

“Photographers are very eloquent speakers” – A Conversation with Jessica Zychowicz and Mariia Kravchenko on the exhibition Ukraine: War and Resistance

This year, the exhibition “Ukraine: War and Resistance”, featuring a collection of 40 images by Fulbright Alumni from Ukraine, or American Fulbrighters who have lived and worked for several years or longer in Ukraine, had its premiere in Germany at Hotel Continental – Art Space in Berlin. For this occasion, Sophie Schmäing interviewed Mariia Kravchenko, Program Officer and Jessica Zychowicz, Director at Fulbright Program in Ukraine & Institute of International Education Kyiv Office, about how resistance was literally enacted when the exhibition was first launched in the city of Vinnytsia and how intensive exchanges on the curation of the photos contributed to forming local and intellectual communities.

“In time of war, memory becomes a powerful resource” – 5in10 with Olha Haidamachuk

Olha Haidamachuk received her PhD in Philosophy from the V. N. Karazin Kharkiv National University in 2021. Her research interests include the philosophy of culture, philosophical anthropology, Ukrainian studies, Ukrainian and European culture, the philosophy of language, the history of philosophy, ethics, and aesthetics. Olha Haidamachuk is a 2022/23 Prisma Ukraïna Fellow.