Skopje Pride Weekend addresses Queer Chronopolitics

This years’ edition of the Skopje Pride Weekend focusses on the relationship between queerness, time and history. Under the title “QUEER CHRONOPOLITICS: History, Affects, Utopias” the festival is drawing on the observation that time is not an apolitical concept but deeply connected to politics, that there is a politics of time as well as a time of politics.

“This is a significant time for the social sciences and humanities, which explore the world of ideas and beliefs.” – 5in10 with Yuliia Soroka

Yuliia Soroka is a sociologist of culture. She holds a PhD in Sociology, and is Professor of Sociology at the N.V. Karazin Kharkiv National University (Ukraine) and a senior researcher in the Human Geography Unit of the Department of Geosciences at the University of Fribourg (Switzerland). Yuliia Soroka is a 2022/2023 non-resident Prisma Ukraïna Fellow at the Forum Transregionale Studien.

The Wondrous World of Omar El-Zeenni

By Sana Tannoury-Karam, with translations by Fatima Kassem Moussa. In 1918, Omar el-Zeenni looked around him and declared “The world is madness”. Indeed, by the end of the First World War, el-Zeenni’s world was turning upside down. Born in Beirut in 1895, Omar el-Zeenni belonged to the “last Ottoman generation” that had come of age in the last few years of the Ottoman empire’s existence and whose politicization occurred during the First World War.

“It was precisely the total absence of reports on the situation on the ground that attracted my attention” – 5in10 with Aleksandra Jolkina

Aleksandra Jolkina is a researcher in European and comparative migration and asylum law. Her academic interests currently concentrate on two broad areas: family migration and access to international protection. She is currently a visiting researcher at the Amsterdam Centre for Migration and Refugee Law. Her research project aims to provide a comparative analysis of Latvian, Lithuanian and Polish responses to the situation at the EU’s border with Belarus, focusing on access to the asylum procedure and compliance with the Rule of Law.

Unearthing the Substrata of Images – Interview with Sanaz Sohrabi

In this piece, Nurçin Ileri interviewed Sanaz Sohrabi, a doctoral candidate at the Center for Interdisciplinary Studies in Society and Culture, Montréal. Her doctoral project looks at how visual representations of oil have changed postcolonial sovereignty and resource nationalism in Iran over time. She is also an artist and filmmaker. In relation to her project, she prepares a trilogy of essay films

The Power of Maps and Geographic Imagery in Digital Communication: Narrating Russia’s War in Ukraine

By Alina Mozolevska. Visuals, used as information strategies or propaganda, have become a crucial instrument of war. Drawings, images, photos, posters, cartoons, or maps represent a powerful tool of both informing and mobilizing populations and consolidating political powers around a common goal. What, then, is the role of visuals in Russia’s current invasion of Ukraine? What messages do they convey? What are the main narratives expressed and symbols used during the Russo-Ukrainian War? And how is the visual landscape of the war created?

“In time of war, memory becomes a powerful resource” – 5in10 with Olha Haidamachuk

Olha Haidamachuk received her PhD in Philosophy from the V. N. Karazin Kharkiv National University in 2021. Her research interests include the philosophy of culture, philosophical anthropology, Ukrainian studies, Ukrainian and European culture, the philosophy of language, the history of philosophy, ethics, and aesthetics. Olha Haidamachuk is a 2022/23 Prisma Ukraïna Fellow.

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