By Chunping Lin. The word “幽默 yōumò,” which means “humor” in Chinese, is originally from Jiǔzhāng 九章 of the Chu Lyrics 楚辭 Chǔcí (475 B.C.–221 B.C.) and was used to describe the tranquility of nature. Lin Yutang林語堂 (linguist, philosopher, and translator, 1895–1976) translated the English word “humor” with the word “幽默 yōumò”.
By Regina Elsner. Since the end of the Soviet Union, dozens of theologians and scholars of religion elaborated on the complicated relationships within the church community of the so-called Holy Rus’. The Moscow Patriarchate defines its territory of spiritual responsibility as encompassing the former Soviet Union – except for the old churches of Armenia and Georgia.
Reviewed by George White. Through their work at the Collaborative Research Centre at Leipzig University, Steffi Marung, Matthias Middell and their collaborators have produced a comprehensive and impressive volume on the weighty topic of globalization. The topic is innately geographical, specifically spatial, and geographers not only have a lot to say about it, they already have written much about it.
Von Clara M. Frysztacka. Nach zwei Jahren Debatten über den Beginn einer „Ära der Pandemien“ überbieten sich seit dem Einmarsch der russischen Truppen in die Ukraine die Prognosen über den Anbruch einer neuen (oder alten?) Zeit der Geopolitik.
Interview with Ulf Engel by Megan Maruschke. Ulf Engel, Professor of African Studies at Leipzig University, recently launched a five-part blog series on Africa and Russia’s war in Ukraine in Leipzig University’s Research Centre Global Dynamics blog.
By Mehdi Khorrami and Amir Moosavi. Can a text, in its broadest sense, transcend its primary sensory medium and trigger multisensory reactions? Can a painting activate the sense of taste, in addition to sight? Is it possible to see, taste or touch a piece of music while listening to it?
By Natasha Klimenko. On April 13th, 2022, I spoke to Sasha Kurmaz, an artist from Kyiv who now lives in Ivano-Frankivsk, a city in western Ukraine. When we started the interview, he told me to keep one thing in mind: “If the air raid siren goes off, I’ll have to close everything and go”.
By Anna L. Ahlers. After participating in the re:constitution seminar in Ljubljana, Slovenia in November 2021 and, also crucially, while working with colleagues in China, I cannot help but feel extremely lucky and privileged to be able to work under the academic circumstances that I do. They appear to be so much easier to deal with than the ones I learned about in my interactions with academics from China, Hungary, Slovenia, Turkey, and other countries.
Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.
L’artiste Maya Benchikh El Fegoun (El Meya) est née en 1988 à Constantine, en Algérie. Ses peintures sont souvent peuplées de femmes, car elle réagit à différents héritages visuels, notamment les images orientalistes ou l’iconographie de la guerre d’indépendance algérienne.