The National Frame: Art and State Violence in Turkey and Germany
By Banu Karaca. The National Frame emerged out of my long-term interest in art, aesthetics and politics. I have always been fascinated by the dominant notion that art is inherently good, by the many values that are accorded to art – be it that art furthers individual agency and critical faculties, the emancipatory potential of art, or its civilizing impact – and the realities that shape the daily workings of the art world.
