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Verschlagwortet: photography

#DossierUkraine / Conversations / Prisma Ukraïna

“Photographers are very eloquent speakers” – A Conversation with Jessica Zychowicz and Mariia Kravchenko on the exhibition Ukraine: War and Resistance

This year, the exhibition “Ukraine: War and Resistance”, featuring a collection of 40 images by Fulbright Alumni from Ukraine, or American Fulbrighters who have lived and worked for several years or longer in Ukraine, had its premiere in Germany at Hotel Continental – Art Space in Berlin. For this occasion, Sophie Schmäing interviewed Mariia Kravchenko, Program Officer and Jessica Zychowicz, Director at Fulbright Program in Ukraine & Institute of International Education Kyiv Office, about how resistance was literally enacted when the exhibition was first launched in the city of Vinnytsia and how intensive exchanges on the curation of the photos contributed to forming local and intellectual communities.

Conversations / Prisma Ukraïna

Tragedy and Normalcy: Documenting Russia’s War on Ukraine – An Interview with Photographer Brendan Hoffman

Brendan Hoffman is a documentary photographer based in Kyiv, Ukraine, where his work reflects his interest in themes of identity, history, politics, conflict, and the environment. Since 2013 he has primarily covered revolution and war in Ukraine. His work has been published widely, shown at festivals including Visa Pour l’Image, the Zoom Photo Festival in Canada, and the Singapore International Photography Festival. Brendan is a regular contributor to major media including The New York Times and National Geographic, a 2018-19 Fulbright Scholar in Ukraine, and the 2018 Philip Jones Griffiths Award winner. A conversation with Sophie Schmäing.

Envisioning Work: The Visual Cultures of Labor / EUME

Picturing the Labor Landscape: The Silahtarağa Power Plant and Istanbul’s Electrical Infrastructure

By Nurçin İleri. This essay centres on a series of photographs, which I first came across at an auction in November 2020. These black and white images depict Istanbul’s first urban scale power plant, the Silahtarağa campus and extension of the grid to the city in the early 1910s.

Envisioning Work: The Visual Cultures of Labor / EUME

Ever-Present Tobacco Dust: Women’s Labor Conditions at the Cibali Tobacco Factory

By Zehra Betül Atasoy. In early Republican Turkey, women workers – predominantly in tobacco, weaving, and the food industry – were gathered mainly in the city of Istanbul. Although the number of female workers in industrial production gradually increased, gender-based wage differences continued, with women earning less, and these workers were subjected to long hours and inadequate health and safety conditions.

#Identities&Beliefs / #MECAM

Commemorating International Struggles at UGTT Sfax: Palestinians and Saddam Hussein

By André Bank. Internationally, the standing and profile of Tunisia’s General Labor Union (French: ‘Union Générale Tunisienne du Travail’, UGTT) has been shaped by three broad images: The first image emanated from the UGTT’s active participation in the so-called Jasmine Revolution in 2011, when its leadership and members protested the ‘ancien régime’ of President Zine Abidin Ben Ali.

#Identities&Beliefs / #MECAM

Seven Men and One Table: The 20th Century through a Photograph

By Elizabeth Bishop. A photograph near the bottom of the wall caught my attention at the Habib Achour exhibit in the Kerkennah branch of the Union Générale des Travailleurs Tunisiens (UGTT, General Union of Tunisian Workers). A caption provides the information that the black-and-white photograph was taken on 26 January 1978.

Infrastructures and Society in (Post-)Ottoman Geographies

Cultivating Flowers and Loyal Subjects: A Case Study of the Işkodra Municipal Garden

By Berin Gölönü. Starting in the year 1870, a new type of public recreation space referred to as the “people’s garden” or municipal garden took root in the Ottoman Empire’s cities and towns. These formally landscaped spaces were modeled after Haussmann-era Parisian promenades.

EUME / Factory Reloaded

“The Pictures Are the Thing”: Farm Security Administration Photographers Document the American Factory in the Depression Era

By Rick Halpern. The 1930s were a formative period for documentary photography in the United States. The twin phenomena of the Great Depression and the emergence of a militant workers’ movement gave photographers interested in the working class a surfeit of material to shoot.