Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.
L’artiste Maya Benchikh El Fegoun (El Meya) est née en 1988 à Constantine, en Algérie. Ses peintures sont souvent peuplées de femmes, car elle réagit à différents héritages visuels, notamment les images orientalistes ou l’iconographie de la guerre d’indépendance algérienne.
By Jennifer Wilkinson. The current neoliberal system has become a parasitic affront to the core aims of education. Woven into the fabric of education, Neoliberalism has risen to a state of liberal legality. With arbitrary and discriminatory standards of success, this legality obscures the fundamental right to learn.
By Anya Heise-von der Lippe. In the summer and fall of 2021, academics across the German university system took to social media in unprecedented numbers to expose the precariousness of their employment situations and the struggles of working within a system that relies on a great amount of personal commitment and flexibility.
By Alena Sander. Coming towards the end of my doctoral journey, my initial optimism about an academic career quickly faded as I began to look into the world of post-docs and further academic career options and realized: it is going to be harder than I thought. One of the main reasons for this is that I identify and am read as a mother*.
“Gender, Sexuality, and Knowledge Production in Current Neoliberal and Authoritarian Regimes”: Call for Contributions to the Series
To highlight the ongoing struggles that shape the production and circulation of knowledge in times of neoliberalism and authoritarianism, the Interdisciplinary Gender and Sexuality Research Cluster of De Montfort University, the Margherita-von-Brentano Center of Freie Universität Berlin, and Academy in Exile are calling for blog contributions by scholars, students, and activists from across the globe.
Recently, business have been trying hard to refute the role of the manufacturing sector as a main contributor of COVID-19 cases. In this conversation, Aslı Odman, an instructor at Mimar Sinan Fine Arts University, and a founding member and volunteer at Istanbul Health and Safety Labor Watch, discusses the socio-spatial inequalities triggered by the COVID-19 pandemic in industrial workspaces on both local and global scales.
Of ‘nimble fingers’ and ‘jacquard’s soldiers’: Up-scaling, Up-skilling, and the Re-masculinization of Labor in Bangladesh’s Garment Industry
By Christian Strümpell and Hasan Ashraf. Bangladesh is widely known as having rapidly grown into one of the world’s major producers of ready-made garments. In 1978, it counted 9 factories; in 1985, their number stood at 598; and in 1996 at 2,353.
“The Pictures Are the Thing”: Farm Security Administration Photographers Document the American Factory in the Depression Era
By Rick Halpern. The 1930s were a formative period for documentary photography in the United States. The twin phenomena of the Great Depression and the emergence of a militant workers’ movement gave photographers interested in the working class a surfeit of material to shoot.
Brazil and Coronavirus: How Denialism, Religious Fundamentalism and Necropolitics has Disproportionately Affected Women
By Andrea Dip Brazil is the second country in the world with the most infections and deaths from coronavirus, surpassed only by the United States. We have exceeded 100,000 deaths...