Decolonization of Migration in Divided Berlin: Berliner Künstlerprogramm and Artistic Representations of Migrant Subjectivities in the 1970s
By Nazan Maksudyan. This contribution forms a part of a broader research agenda on the aestheticization of migration in France and Germany during the 1970s. It focuses on aesthetic representations of migrant subjectivities and the critique of labor migration in the context of arts and cultural production. The overall project adopts a sound studies perspective, and in this brief exposition, I focus on the concept of artistic residency and the invitation of artists from the “European South” to intervene in migration debates with an aestheticized frame.
