By Mehdi Khorrami and Amir Moosavi. Can a text, in its broadest sense, transcend its primary sensory medium and trigger multisensory reactions? Can a painting activate the sense of taste, in addition to sight? Is it possible to see, taste or touch a piece of music while listening to it?
Verschlagwortet: Cultural Studies
Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.
L’artiste Maya Benchikh El Fegoun (El Meya) est née en 1988 à Constantine, en Algérie. Ses peintures sont souvent peuplées de femmes, car elle réagit à différents héritages visuels, notamment les images orientalistes ou l’iconographie de la guerre d’indépendance algérienne.
“The Problem is Not in the Illusions, but in the Aims of the Apparatus of Power” – Interview with Gintautas Mažeikis
Interview with Gintautas Mažeikis by Miglė Bareikytė. I remember when professor Gintautas Mažeikis, during the first week of the semester at Vytautas Magnus University in Kaunas, told his students, including me, that we should read Horkheimer and Adorno’s “Dialectic of Enlightenment”. We were young, the book was poorly translated, perplexity set in.
Call for Contributions: Aesthetic Practices and Mediated Temporalities of the Maghreb and the Mashriq
The Maghreb and the Mashriq have always been sites of multilingualism and multiculturalism, of artistic production and innovation, of struggle and contestation. This blog series explores the aesthetic and cultural practices of these regions in motion, with a particular interest in how they mediate different temporalities.
By Imen Louati and Julius Dihstelhoff. This anthology aims to generate a new approach to address regional studies in the Maghreb. Indeed, capturing the Maghreb’s heterogeneity and its dynamic is central for reflecting on recent transformations, not only in the Maghreb but in the Arab world generally, particularly in relation to the Arab uprisings of 2010–11.
Par Imen Louati and Julius Dihstelhoff. Cette anthologie vise à produire une nouvelle approche pour aborder les études régionales au Maghreb. En effet, saisir l’hétérogénéité du Maghreb et sa dynamique est essentiel pour réfléchir aux transformations récentes, non seulement au Maghreb mais dans le monde arabe en général, en particulier en relation avec les soulèvements arabes de 2010-11.
By Juan Miguel Leandro L. Quizon. Travel entails expectations, musings, and meanderings. The moment travelers make final confirmations of flight bookings, their minds begin to explore the countless possibilities of their new journey. However, this year reminded us how a pandemic can seize travel instantaneously.
By Rafique Wassan. Initiated in the wake of the Coronavirus pandemic, Café Saqafat is a new online social media broadcasting cultural work – mediated through FaceBook live streaming and later on a recorded version uploaded on YouTube.
By Daniel Weidner. What can the role of the humanities be facing a world in crisis? However we describe that very crisis, it is clear that a lot of the assumptions that have, so far, founded the self-understanding of the humanities are no longer evident: neither the universalism of the European or western culture, nor the humanist values or even the distinction between culture and nature.