Verschlagwortet: Cultural Studies

“This is a significant time for the social sciences and humanities, which explore the world of ideas and beliefs.” – 5in10 with Yuliia Soroka

Yuliia Soroka is a sociologist of culture. She holds a PhD in Sociology, and is Professor of Sociology at the N.V. Karazin Kharkiv National University (Ukraine) and a senior researcher in the Human Geography Unit of the Department of Geosciences at the University of Fribourg (Switzerland). Yuliia Soroka is a 2022/2023 non-resident Prisma Ukraïna Fellow at the Forum Transregionale Studien.

Ukrainian Comics and War in Ukraine

By Svitlana Pidoprygora. In the autumn of 2013, Euromaidan started in Ukraine as a response to the authorities’ decision to end European integration processes and focus on the Customs Union with the Russian Federation. Thousands of people went to protests in Kyiv and the central squares of other Ukrainian cities, demonstrating society’s support for the European vector of development and protesting against the arbitrariness of the authorities.

Time Out of Joint – An Interview with Bohdan Tokarskyi and Alexander Wöll

From the 15th to the 17th of September 2022, the second EUTIM Annual Conference, “Time Out of Joint: Literary (Re)Visions of Time in Eastern and Central Europe”, will take place at Potsdam University as a hybrid event. We spoke to the conveners, Bohdan Tokarskyi and Alexander Wöll, to learn more about the conference and how it connects to current political and cultural developments.

Trauma and the 1980s in Arabic Literary Studies

What is a literary history of the present? There are many ways to imagine such a project and its debt to Foucauldian genealogy, from accounts of how literature writes history to how the notion of literature is a historical aspect of the present. This essay, part of the upcoming workshop, “The Literary 1980s in the MENA: Towards a History of the Present”, asks what trauma has come to name in Arabic literary studies since the 1980s.

Philology and Microhistory: A Conversation with Carlo Ginzburg

Islam Dayeh in conversation with Carlo Ginzburg. In this Philological Conversation, Carlo Ginzburg reflects on the place of philology in his work and explores the connections between philology, microhistory, and casuistry. We talk about the people who inspired his early thinking, including his father Leone Ginzburg, his mother Natalia, and his grandfather, moving on to Erich Auerbach, Leo Spitzer, and Sebastiano Timpanaro.

Losing Our Minds, Coming to Our Senses

By Mehdi Khorrami and Amir Moosavi. Can a text, in its broadest sense, transcend its primary sensory medium and trigger multisensory reactions? Can a painting activate the sense of taste, in addition to sight? Is it possible to see, taste or touch a piece of music while listening to it?

Women and a Multiplicity of Life Forms in El Meya’s Paintings: An Interview

Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.

“The Problem is Not in the Illusions, but in the Aims of the Apparatus of Power” – Interview with Gintautas Mažeikis

Interview with Gintautas Mažeikis by Miglė Bareikytė. I remember when professor Gintautas Mažeikis, during the first week of the semester at Vytautas Magnus University in Kaunas, told his students, including me, that we should read Horkheimer and Adorno’s “Dialectic of Enlightenment”. We were young, the book was poorly translated, perplexity set in.

Call for Contributions: Aesthetic Practices and Mediated Temporalities of the Maghreb and the Mashriq

The Maghreb and the Mashriq have always been sites of multilingualism and multiculturalism, of artistic production and innovation, of struggle and contestation. This blog series explores the aesthetic and cultural practices of these regions in motion, with a particular interest in how they mediate different temporalities.

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