The Scopophilic Pleasure of the Gaze in Asfour Stah
By Najla Mosbahi. Asfour Stah (also known as Halfaouine: Boy of the Terraces) is a film that explores the complexities of Tunisian society in the early 1990s. At this time, Tunisia was undergoing significant social change, grappling with the legacy of Habib Bourguiba’s progressive reforms that had improved women’s rights. However, despite these advancements, traditional gender roles remained deeply entrenched, creating a complex landscape for women. With the film, director Férid Boughedir aimed at revealing “the hidden struggles of women in a society that often silences their voices, showcasing their strength and resilience within the constraints imposed by tradition”.