Kategorie: EUME

The Wondrous World of Omar El-Zeenni

By Sana Tannoury-Karam, with translations by Fatima Kassem Moussa. In 1918, Omar el-Zeenni looked around him and declared “The world is madness”. Indeed, by the end of the First World War, el-Zeenni’s world was turning upside down. Born in Beirut in 1895, Omar el-Zeenni belonged to the “last Ottoman generation” that had come of age in the last few years of the Ottoman empire’s existence and whose politicization occurred during the First World War.

Unearthing the Substrata of Images – Interview with Sanaz Sohrabi

In this piece, Nurçin Ileri interviewed Sanaz Sohrabi, a doctoral candidate at the Center for Interdisciplinary Studies in Society and Culture, Montréal. Her doctoral project looks at how visual representations of oil have changed postcolonial sovereignty and resource nationalism in Iran over time. She is also an artist and filmmaker. In relation to her project, she prepares a trilogy of essay films

Reclaiming Spaces from the Streets to the Gutter: Sketching Feminisms in Contemporary Arab Graphic Narratives

By Rasha Chatta. In a region where authoritarian and patriarchal regimes have held the monopoly on what circulates publicly and where spaces of contestation are under scrutiny, graphic narratives or qisas musawwara as they are referred to in the Arabic language—alongside other popular arts such as graffiti or street art—have carved out a new arena of dissent that was made possible by the hopes for social and political changes instigated in the wave of the so-called Arab Spring.

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