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In Search of Stability and Purpose: Ukrainian (Displaced) Researchers in Germany

By Lidia Kuzemska. In April 2024, major German foundations organised a networking event for their Ukrainian fellows. Two days of discussions and exchange served not only to give the scholars from different fields space to mingle, but also to brainstorm about how they see their current role and future in academia (be it in Ukraine, in Germany or elsewhere). This text provides an overview of what Ukrainian researchers in Germany currently consider to be the most important challenges and how they perceive their prospects.

Messy Surroundings: Calligrapher at Work

by Nancy Micklewright. In 1967 a Los Angeles photographer, Harold Van Pelt, took a series of photographs of Mohamed Zakariya in his garage workshop. Today, Zakariya is the foremost calligrapher of the Arabic language in the US and is renowned worldwide, but when these photographs were taken, he had just begun his journey in Islam and had been learning calligraphy for a short time.

Envisioning Domestic Labor on Instagram: Changing Parameters of Visibility under Neoliberal Digital Capitalism

by Nazlı Özkan. #invisiblehousework (#görünmeyenevişleri) first started as an Instagram hashtag and continued with an account of its own under the same name. The hashtag was created by Elif Doğan, or blogcuanne (mom blogger) with her Instagram and blogger handle. She has currently has around 111K followers and lives in Bodrum, a famous touristic town in Southwest Turkey.

Rethinking East European Studies in Times of Upheaval: Some Reflections on Ukrainian Studies in Germany (and Not Only)

By Andrii Portnov. Ukrainian history and literature in the German higher education system are the disciplines whose institutional weakness is more than obvious. Ukraine itself, in the eyes of a large part of German (including academic) society, still does not have enough cultural and historical agency and remains ‘in the shadow of Russia’.

A New Iran Has Been Born — A Global Iran

Interview with Asef Bayat. This interview was published in Persian on Oct. 10 by the Tehran daily Etemaad. Shortly after its publication, the Iranian authorities ordered the newspaper to take the interview down from its website. The interview had already gone viral in Iran and abroad, and several other outlets that had reposted it were likewise forced to unpublish it.

Picturing the Labor Landscape: The Silahtarağa Power Plant and Istanbul’s Electrical Infrastructure

By Nurçin İleri. This essay centres on a series of photographs, which I first came across at an auction in November 2020. These black and white images depict Istanbul’s first urban scale power plant, the Silahtarağa campus and extension of the grid to the city in the early 1910s.

Faith Without Compulsion: Reflections on Iran

By Zahiye Kundos. Above and beyond the heartache that recent events in Iran engender among Muslims and people who are in solidarity with us, it harms what we truly and communally care about: finding creative ways to reassert who we are and what we stand for.

Figuring a Women’s Revolution: Bodies Interacting with Their Images

By L. Is the uprising in Iran a feminist revolution? This essay is an attempt to understand an intuition born of experiencing a gap: A gap between viewing photos and videos of protests online, and presence in the street. It’s an effort to explicate the short-circuit that courses in the opening between these two domains—virtual space and the reality of the street—in this historic moment.