Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.
L’artiste Maya Benchikh El Fegoun (El Meya) est née en 1988 à Constantine, en Algérie. Ses peintures sont souvent peuplées de femmes, car elle réagit à différents héritages visuels, notamment les images orientalistes ou l’iconographie de la guerre d’indépendance algérienne.
By Alena Strohmaier. “Politics in the Middle East is now seen”, proclaimed political scientist and director of the Middle East and North Africa programme at Chatham House Lina Khatib in 2012, designating a new era of political activism in the Middle East and North Africa (MENA).
I’ll start by stating that not all comics at the core of my scholarship were created in the digital age. Yet, artists working today are very active in the blogosphere. The online dissemination of comics – and, in particular, those that critique authoritarian regimes or bear witness to shared and/or individual experiences of political trauma – keeps pace with the general dissemination of information on the internet.
Montassir Sakhi, né en 1988 à Rabat, est membre fondateur du Mouvement 20 février. Il s’est engagé depuis longtemps dans les dynamiques militantes et la vie politique du Maroc. En Europe, sa recherche porte sur les mouvements sociaux, l’émergence des idéologies, l’Islam politique en particulier, ou encore sur la problématique de la radicalisation.
By Teresa Pepe. On 13 July 2021, the MECAM research cluster “Aesthetics and Cultural Practice” hosted a talk by Kawthar Ayyed, “La science-fiction et l’anticipation [Science Fiction and Anticipation]”, in the framework of the research initiative “Imagining the Future: Dealing with Disparities”.
Aymen Amayed is an independent Tunisian researcher based in Tunis. He is currently contributing to a research project about margins and marginality at the Department of Conflict and Development Studies at Ghent University. The interview was conducted during André Weißenfels’ MECAM fellowship on a research tour through different oases in Southern Tunisia.
By Farouk El Maarouf. There is a Moroccan community (based particularly in the Rabat/Sale regions) of vernacular dealers, connoisseurs, and savvy art practitioners, who, like their classic elite fellows, have a great deal of knowledge about the fine arts.
By André Weißenfels. Upward social mobility through education is a promise that has captured the minds of generations all across the globe. It has motivated and continues to motivate people to plan their lives around formal education and to strive for degrees in the hope these might offer a desirable future. But what if the promise turns out to be false?
By Angela Rabing. Abou Bakar Sidibé is a co-director of the films Les Sauteurs – Those Who Jump (2016) and My New European Life (2019). In both, he documents his life as migrant who tries to find a way to Europe and build a life there.