By Arbia Selmi. Despite its important role in the history of Tunisia, the Tunisian General Labour Union (UGTT) is one of the most telling examples of the perpetuation of gender inequalities in Tunisia. The trade union environment is considered a male universe and is dominated by a patriarchal culture where women, until today, do not really find their place.
By André Bank. Internationally, the standing and profile of Tunisia’s General Labor Union (French: ‘Union Générale Tunisienne du Travail’, UGTT) has been shaped by three broad images: The first image emanated from the UGTT’s active participation in the so-called Jasmine Revolution in 2011, when its leadership and members protested the ‘ancien régime’ of President Zine Abidin Ben Ali.
By Elizabeth Bishop. A photograph near the bottom of the wall caught my attention at the Habib Achour exhibit in the Kerkennah branch of the Union Générale des Travailleurs Tunisiens (UGTT, General Union of Tunisian Workers). A caption provides the information that the black-and-white photograph was taken on 26 January 1978.
By Alyssa Miller. In a 2012 essay published on the webzine Nawaat, sociologist Hela Yousfi alleged that the Ennahda party – then head of Tunisia’s transitional government and dominant partner in the ‘Troika’ coalition – was surreptitiously attacking the UGTT by dumping garbage in front of its regional branches.
By Alyssa Miller and Arbia Selmi. Since the time of its foundation in 1946, the Tunisian General Labour Union (UGTT) has shifted its focus from trade union activism to political action. Due to its participation in the independence struggle, alongside the national liberation movement led by the Neo-Destour party, the UGTT has enjoyed unparalleled historical legitimacy on the Tunisian political scene.
Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.
L’artiste Maya Benchikh El Fegoun (El Meya) est née en 1988 à Constantine, en Algérie. Ses peintures sont souvent peuplées de femmes, car elle réagit à différents héritages visuels, notamment les images orientalistes ou l’iconographie de la guerre d’indépendance algérienne.
By Alena Strohmaier. “Politics in the Middle East is now seen”, proclaimed political scientist and director of the Middle East and North Africa programme at Chatham House Lina Khatib in 2012, designating a new era of political activism in the Middle East and North Africa (MENA).
I’ll start by stating that not all comics at the core of my scholarship were created in the digital age. Yet, artists working today are very active in the blogosphere. The online dissemination of comics – and, in particular, those that critique authoritarian regimes or bear witness to shared and/or individual experiences of political trauma – keeps pace with the general dissemination of information on the internet.
Montassir Sakhi, né en 1988 à Rabat, est membre fondateur du Mouvement 20 février. Il s’est engagé depuis longtemps dans les dynamiques militantes et la vie politique du Maroc. En Europe, sa recherche porte sur les mouvements sociaux, l’émergence des idéologies, l’Islam politique en particulier, ou encore sur la problématique de la radicalisation.