By Görkem Akgöz. In the New Year’s special issue of the Vatan (Homeland) newspaper, a Santa Claus-like, Father Time figure (zaman, meaning time) rips off the year 1933 from the calendar to reveal the exciting prospects of the coming year.
Author: Forum Transregionale Studien
By Barbara Mittler. No Handshakes, no Hugs and no Bises: The global call for social distancing has significantly changed rules and gestures of conduct and etiquette that had travelled the world for centuries. The handshake is one such example.
We invite contributions to discuss and investigate how infrastructures shape and affect power relations and daily life; how they produce or organize inequalities, discrimination, or differentiated access to public goods and services; and how they may become part of state violence, or resistance, in Ottoman and post-Ottoman geographies.
By Yaprak Melike Uyar. Due to globally unified measures for controlling the Covid-19 pandemic, it has been almost one year since musicians have not met their audiences.
An introduction to the TRAFO Series “Factory Reloaded” by Görkem Akgöz, Malak Labib, and Nurçin İleri. Factories have received attention almost exclusively at times of crises, such as the Dhaka garment factory fire, the Foxconn suicides, or the liquidation of large public-sector companies in some developing countries.
By Egemen Özbek. As Vanessa Agnew highlights in the Introduction to the volume, Refugee Routes is a response to the ever-growing number of refugees and internally displaced people around the world.
By Zeynep Türkyilmaz. Entering my usual keywords randomly to see what is out there in my areas of interest, I came across a diary of a Turkish soldier kept during the year 1938. Ego-documents are a rare source in Ottoman-Turkish studies, but the content of this particular diary made it unique and almost unreal beyond my wildest expectations.
By Žilvinas Švedkauskas. As rightly noted in the introduction to this TRAFO series, the boundary between Europe and its neighborhood has historically been and remains highly ambiguous, though little questioned.
By Anna Hofmann. The revolutionary moments of the Arab Spring in 2011 and the Ukrainian “Euromaidan” in 2014 called for a remarkable rise of public and academic attention towards regions in the east and south of the European continent.
In this interview with Katarzyna Falęcka, the Lebanese filmmaker and artist Akram Zaatari discusses his practice based on collecting and studying photography.