Von Carolin Liebisch-Gümüş: Historiker:innen sind darauf spezialisiert, historische Mythen und Gründungsnarrative zu dekonstruieren. Jedoch erzählen sie zuweilen selbst eigene kleine Gründungsmythen über ihre Institutionen und Subströmungen. Ein Paradebeispiel dafür ist die Globalgeschichte.
Kategorie: New Books
By Jeremy Adelman. A few years ago, I organized a symposium at Princeton University. The theme was: does globalization mean that the social sciences (broadly defined) need to rethink their intellectual foundations? In the end, we came to a draw. Some felt that old models and familiar framings worked fine. Others saw global integration as an intellectual shakeup of the bedrock of methodological nationalism.
By Lianming Wang. Following the “global turn” in the 1990s, and particularly stimulated by Gauvin Alexander Bailey’s path-breaking Art on the Jesuit Missions in Asia and Latin America, 1542–1773, the study of Jesuit art and architecture has grown into a remarkably dynamic field that provides marvellous insights for reading art history through a cross-cultural and transregional lens.
By Deniz Bozkurt-Pekár. Let me set the scene: A rich meadow expanding by the bountiful river, a gentleman leaning on the white column of the porch of a haint-blue mansion, a pale-white lady in flamboyant attire sitting on a rocking-chair behind him, away from them yet within their eyesight are the cotton, corn, or tobacco fields hiding behind their crop the tired bodies of black men, women, and children.
By Banu Karaca. The National Frame emerged out of my long-term interest in art, aesthetics and politics. I have always been fascinated by the dominant notion that art is inherently good, by the many values that are accorded to art – be it that art furthers individual agency and critical faculties, the emancipatory potential of art, or its civilizing impact – and the realities that shape the daily workings of the art world.
By Francesco Anselmetti. A Flood in Baʿath Country, the 2003 documentary by Syrian filmmaker Omar Amiralay, opens with a stark confession on the director’s behalf. His career had begun in the early 1970s with a panegyric to the Baʿathist project of modernisation glorifying the construction of the Tabqa Dam on the Euphrates, near the northern Syrian city of Raqqa.
By Malte Fuhrmann. Port city studies have developed many radical reinterpretations of the Middle East or Southeast Europe, but these have made little inroads into the mainstream. With my book, I aim to rise to that challenge by readdressing an issue of classic political and social history of the nineteenth century: the issue of Europeanization.
By Hilal Alkan and Nazan Maksudyan. Our edited book explores the themes of ‘neighbours’ and ‘neighbourhoods’ as points of departure for considering identity, coexistence, solidarity and violence, and their relationship to place.
By Egemen Özbek. As Vanessa Agnew highlights in the Introduction to the volume, Refugee Routes is a response to the ever-growing number of refugees and internally displaced people around the world.
By Katja Rieck. In his most recent monograph, Exile and the Nation – The Parsi Community of India and the Making of Modern Iran (2020), Afshin Marashi provides a new perspective on Iranian nationalism.